Logline to drama: one sentence in, a rendered script out
A ferry captain learns the passenger she has been waiting for was never on the boat. That is enough. The co-writer drafts the scenes; you shape them and shoot them.
Logline: A translator who hears too much is hired to lie for the man she once left.
RENDERS AS 9:16
The co-writer drafts in proper format
Open the co-writer panel in the editor, type a logline, pick a tone and the number of scenes and named characters, and it returns a plain-text screenplay: sluglines, action, cues, dialogue, parentheticals. Each scene is written to play in a single short shot, with one location and one beat, because that is what renders well.
The draft lands directly in the editor. From there it is just text: cut a scene, rename a character, rewrite an ending. The parser keeps up with every change. You can ask for another draft of the same logline with a different tone and compare the two.
From draft to cast list in one click
As soon as the draft is in the editor, the cast board lists its roles. Assign performers, wardrobe, props and voice styles, and attach a set to each slugline. Because the co-writer uses single first names for characters, the cues are clean and the role mapping is straightforward.
If you already know who should play whom, pass the names in with the logline and the co-writer writes for those characters from the first line.
Render the whole thing, then rewrite
Queue every scene at Draft quality to watch the story end to end. The co-writer is generous with cliffhangers; the render tells you whether they land. Then rewrite the scenes that need it, and finish the strongest ones at Cinematic quality with full cast references.
The co-writer is free to use within a daily limit; renders cost credits by the second. Drafts and renders are saved to your account so you can come back to any version.
Good loglines for short drama
The best loglines name a person, a want and an obstacle in one breath. A paramedic finds a stranger's earring in his train berth and has one stop to return it. A stage director must fire the understudy who is also her daughter. A pub landlord discovers the regular who never pays is the man who owns the building. Specific nouns give the co-writer something to stage; vague moods do not.
Sample scenes
Rendered from scripts like yours
The long crossing
EXT. FERRY DECK - DAWN
Two mugs
INT. LIGHTHOUSE KITCHEN - NIGHT
The ticket
INT. NIGHT DINER - 2 A.M.
Verdict
EXT. COURTHOUSE STEPS - MORNING
FAQ
Questions
Does the co-writer cost credits?
No. Drafting is free, with a daily limit per account to keep it fair. Rendering scenes costs credits by the second at the chosen quality.
How long is a drafted script?
You choose one to six scenes and one to three named characters. Each scene is written as a single beat of two to five lines so it fits a short vertical clip.
Can I give the co-writer my own characters?
Yes. Pass up to three character names with the logline and the draft is written for them. You can then cast those names from the library on the cast board.
Who owns a drama drafted from my logline?
You do. The script text and the rendered scenes are output produced at your direction and belong to you; see the Terms of Service for the full wording. Since each country treats copyright in generated work differently, talk to a lawyer if you need advice for a specific use.
What loglines are not allowed?
Anything sexual, anything involving minors in harmful situations, and prompts that trip the content filters. Loglines are checked before drafting and the draft is checked again before it is returned.
Ready when the pages are
Sign in, paste a script or ask the co-writer for one, and render your first scene.