You already have the pages. The editor reads your scene headings, action and dialogue, finds every speaking role, and lets you render each scene as a 9:16 clip without rewriting a word.
INT. NIGHT DINER - 2 A.M.
MAREN
(not looking up)
I said a lot of things.
RENDERS AS 9:16
Your screenplay is the only input
Most video tools ask for a prompt. This one asks for a script. Paste anything written in standard screenplay form: a slug line such as INT. KITCHEN - NIGHT, a paragraph of action, a character name in capitals, the dialogue underneath. The parser splits it into scenes, counts the lines per role, and keeps parentheticals like (quietly) as performance notes. Nothing is thrown away and nothing is paraphrased.
Because the script stays the source of truth, you edit the way you already write. Change a line, and the scene rail updates. Add a new heading, and a new scene appears in the render queue. Rename a character, and the cast list follows. There is no separate storyboard to keep in sync.
Roles are detected, then cast
Every capitalised cue becomes a role. Open the cast board and you will see MAREN, CASPIAN and anyone else who speaks, with how many lines they have and which scenes they appear in. Assign each role a performer from the library, add an outfit and an optional prop, and pick a voice style described in plain words: low and unhurried, crisp and theatrical, nervous and earnest.
The library ships with sixteen performers, twelve outfits, twelve sets and twelve props, and you can generate your own. A performer you create once can play the same role across every scene, which is what makes a sequence of clips read as one drama instead of a pile of unrelated shots.
Scenes render independently, so you can iterate
Queue one scene or the whole script. Each scene is its own render with its own credit cost, so a rewrite of scene three never forces you to pay for scene one again. Pick Draft for a quick look at blocking, Standard for cast likeness and spoken lines, or Cinematic when you want the take that goes out.
Finished clips land next to the script in the order they were written. Play them through as a rough cut, swap a set, tweak a parenthetical, and render only what changed.
Sample scenes
Rendered from scripts like yours
The ticket
INT. NIGHT DINER - 2 A.M.
Again, from the top
INT. REHEARSAL ROOM - EVENING
Level three
INT. UNDERGROUND CAR PARK - NIGHT
Sold
INT. GALLERY OPENING - NIGHT
FAQ
Questions
What format does the script need to be in?
Plain text in standard screenplay layout: scene headings beginning with INT. or EXT., action lines, character names in capitals on their own line, and dialogue beneath them. Parentheticals and transitions like CUT TO: are understood too. There is no need to export from screenwriting software; pasting the text is enough.
How long can a rendered scene be?
Draft renders run from 2 to 20 seconds; Standard and Cinematic renders run from 4 to 15 seconds. Long scenes work best when split into two headings so each clip carries one beat.
Will the same character look the same in every scene?
When a role is cast with a library performer on Standard or Cinematic quality, that performer's reference image is sent with every render of every scene they appear in. Likeness carries across scenes; small variations between takes are normal.
Who owns the dramas I make here?
You do. Anything rendered from your script at your direction is yours to keep and use, as set out in the Terms of Service. Copyright rules differ between countries, so if you need certainty for a particular use, ask a lawyer where you live.
Do I need to sign up to try it?
A Google sign-in is required so your scripts and renders are saved to your account. New accounts receive a small free credit balance to render a first draft scene.
Ready when the pages are
Sign in, paste a script or ask the co-writer for one, and render your first scene.