Keep writing in Courier. The studio sits around your screenplay rather than on top of it: scenes on the left, pages in the middle, cast and renders on the right.
EXT. FERRY DECK - DAWN
INGRID
I knew the tide. The rest I guessed.
RENDERS AS 9:16
An editor that understands screenplay grammar
The page you type into is a real screenplay editor. Sluglines are highlighted as scene breaks, character cues are picked out in red, parentheticals are kept with the line they modify, and transitions are recognised and ignored at render time. Line counts per role and per scene update as you type, so you always know how much a scene is asking of its cast.
If you prefer to draft elsewhere, paste the text in. If you have nothing yet, give the co-writer a logline and a tone, and it returns a formatted first draft you can cut, extend and reshape.
Casting is part of the writing
Screenwriters picture a face while they write a line. The cast board makes that explicit. For every role the parser finds, you choose a performer, wardrobe, prop and voice style. A set is attached to each scene, so a slugline that reads INT. SLEEPER COMPARTMENT can be matched with a sleeper compartment from the library or one you generated yourself.
Performers in the library are generated portraits, never uploaded photographs, which is what allows the video model to accept them as references. Outfits, sets and props can be uploaded, provided no person appears in the image.
Render in passes, like a real shoot
Shoot a cheap draft of every scene to check pacing and blocking. Then pick the scenes that work and re-render them at Standard or Cinematic quality with full cast references. The queue shows each scene's state, from pending to complete, and failed renders that were not your fault refund their credits automatically.
Every finished clip is a 9:16 MP4 you can download, keep private, or share from its own page.
Scripts are saved, versions are cheap
Each script lives in your drawer with its cast map and set assignments attached, so reopening it a month later brings back the same performers and locations. Duplicate it to try a different ending, or keep one script per episode and move between them from the editor. Renders stay linked to the script and scene they came from, which makes it easy to see which take belongs to which draft.
Sample scenes
Rendered from scripts like yours
The ticket
INT. NIGHT DINER - 2 A.M.
The long crossing
EXT. FERRY DECK - DAWN
The last harvest
EXT. VINEYARD TERRACE - DUSK
Two mugs
INT. LIGHTHOUSE KITCHEN - NIGHT
FAQ
Questions
Can I import a file from screenwriting software?
Paste the plain text of your screenplay. Exported text from most screenwriting tools keeps the capitalised cues and INT./EXT. headings the parser relies on. Fountain-style plain text pastes cleanly.
What happens to scenes with more than three speaking roles?
Three cast references per scene is the limit for likeness matching. Extra roles are still rendered from their dialogue, but without a library reference. For crowd scenes, consider splitting the beat so each clip features its key speakers.
Are the voices real actors?
No. Dialogue is generated by the video model to match a described voice style such as warm and melodic or gravelly and wry. There is no voice cloning and no recorded performer.
Who owns the videos I render from my screenplay?
They are yours. Output produced at your direction belongs to you, as the Terms of Service state. Jurisdictions differ on how they treat copyright in generated work, so consult a lawyer if you need advice about a specific project.
Can I make a scene public?
Yes, from the render card or its detail page. Private is the default, flagged content cannot be made public, and anything built from an uploaded photo stays private.
Ready when the pages are
Sign in, paste a script or ask the co-writer for one, and render your first scene.